The Documentary Legend reflecting on His Monumental War of Independence Project: ‘We Won’t Work on a More Important Film’
The acclaimed documentarian is now considered more than a filmmaker; he represents an institution, an unparalleled production entity. With each new project arriving on the television, everyone seeks his attention.
He participated in “countless podcast appearances”, he notes, approaching the conclusion of his marathon promotional journey featuring four dozen cities, dozens of preview events and hundreds of interviews. “With podcasts numbering in the hundreds of millions, I feel I’ve participated in a substantial portion.”
Fortunately Burns is a force of nature, equally articulate in interviews as he is prolific in the editing room. The 72-year-old has appeared at locations ranging from historical sites to mainstream media outlets to discuss one of his most ambitious projects: this historical epic, a monumental six-part, 12-hour documentary series that dominated a substantial portion of his recent years and arrived recently on PBS.
Classic Documentary Style
Similar to traditional cooking amidst instant gratification culture, this documentary series is defiantly traditional, more redolent of historical documentary classics rather than contemporary digital documentaries and podcast series.
But for Burns, whose professional life documenting American historical narratives spanning various American subjects, the revolutionary period transcends ordinary historical coverage but essential. “As I mentioned to directing partner Sarah Botstein recently, and she concurred: we won’t work on a more important film Burns contemplates from his New York base.
Extensive Historical Investigation
Burns, co-directors Botstein and David Schmidt along with writer Geoffrey Ward referenced countless written sources and primary source materials. Multiple academic experts, representing diverse viewpoints, contributed scholarly insights along with leading scholars representing multiple disciplines including slavery, indigenous peoples’ narratives and the British empire.
Characteristic Narrative Method
The documentary’s methodology will appear similar to viewers of Burns’ earlier work. The unique approach incorporated slow pans and zooms through archival photographs, generous use of period music and actors reading diaries, letters and speeches.
Those projects established the filmmaker cemented his status; a generation later, presently the respected veteran of historical films, he can attract virtually any performer. Participating with Burns during a recent appearance, acclaimed writer Lin-Manuel Miranda commented: “When Ken Burns calls, you say ‘Yes.’”
Remarkable Ensemble
The decade-long production schedule proved beneficial in terms of flexibility. Filming occurred in studios, in relevant places using online technology, an approach adopted during the pandemic. Burns recounts collaborating with actor Josh Brolin, who found a few free hours in Atlanta to perform his role as the revolutionary leader prior to departing to subsequent commitments.
The cast includes Kenneth Branagh, Hugh Dancy, Claire Danes, established Hollywood talent, diverse creative professionals, multiple generations of actors, celebrated film and stage performers, international acting community, versatile character actors, Wendell Pierce, Matthew Rhys, Liev Schreiber, Dan Stevens, Meryl Streep.
Burns adds: “Honestly, this could represent the finest ensemble recruited for any project. Their work is exceptional. Selection wasn’t based on fame. I became frustrated when someone asked, about the prominent cast. I responded, ‘These are performers.’ They represent global acting excellence and they vitalize these narratives.”
Nuanced Narrative
Still, the lack of surviving participants, visual documentation compelled the production to rely extensively on historical documents, combining individual perspectives of multiple revolutionary participants. This methodology permitted to present viewers not only to the “bold-faced names” of that era along with multiple crucial to understanding, numerous individuals remain visually unknown.
Burns also indulged his individual interest for geography and cartography. “I love maps,” he notes, “and there are more maps throughout this series versus earlier productions across my complete filmography.”
Worldwide Consequences
Filmmakers captured footage across multiple important places throughout the continent and British sites to document environmental context and collaborated substantially with re-enactors. These components unite to present a narrative more bloody, multifaceted and world-changing compared to standard education.
The documentary argues, represented more than local dispute concerning territory, taxes and political voice. Conversely, the project presents a violent confrontation that eventually involved numerous countries and surprisingly represented described as “mankind’s greatest hopes”.
Internal Conflict Truth
Early dissatisfaction and objections directed toward Britain by colonial residents throughout multiple disputatious regions rapidly became a bloody domestic struggle, dividing communities and households and neighbour against neighbour. During the second installment, the historian Alan Taylor observes: “The main misapprehension concerning independence struggle involves believing it represented that unified Americans. It leaves out the reality that it was a civil war among Americans.”
Sophisticated Interpretation
For him, the revolution is a story that “for most of us is overwhelmed by emotionalism and idealization and lacks depth and fails to properly acknowledge the historical reality, every individual involved and the widespread bloodshed.”
It was, he contends, an uprising that declared the revolutionary principle of fundamental personal liberties; a brutal civil war, dividing revolutionaries and royalists; and a worldwide engagement, the fourth in a series of conflicts between Britain, France and Spain for dominance in the New World.
Uncertain Historical Outcomes
Burns additionally aimed {to rediscover the